Journalists who verify the assertions of public officials are doing their jobs and supporting democracy. Seems like a wellworn truism, right?
Not. This column joins a firestorm of recent comment on the goddamn fact-checking thing.
Thats how former New York Times public editor Arthur Brisbane reminisced about his role in the fact-checking fracas in a recent interview with Poynter.org .
A public editor column by Brisbane went viral at the start of the year, in part, because of its quirky request: Im looking for reader input on whether and when New York Times news reporters should challenge facts that are asserted by newsmakers.
Press and political blogs lit up in response, answering Brisbane with what seemed like a murmuring huh? followed mostly by indignation.
That was just one of many quibbles with what has lately been dubbed the fact-checking movement and the Golden Age of fact-checking.
Curiously, what everyone is calling fact-checking isnt new.
Fact-checking has always been fundamental to professional news work. Ask any veteran newsroom copy editor.
However, fact-checking does come with a twist today: computational power. Politifact.com , FactCheck.org and their inhouse newsroom cohorts are using powerful, new computerassisted analytical and visualization software.
All that computational science in the hands of reporters may ring of snooty elitism. For fans of the HBO series The Wire, it may also conjure the dramas relentless focus on juking the stats, the idea that facts and statistics can easily be woven into manipulative lies.
Instead, though, todays factchecking is bringing the public a little bit closer to news processes, exposing the purposes, methods and even the fallibility of journalism.
Todays fact-checking is teasing out new norms, such as the recent emphasis on transparency and engagement. Journalists are asking questions like What should we fact-check? And, most legit fact-checking projects include background on how and why the content was fact-checked, as well as any limitations of the approach.
Its no secret that newsrooms need to cultivate new norms.
American attitudes toward the news media have sunk to record lows this election season. A recent Gallup poll showed that 60 percent dont trust the medias ability to report news accurately and fairly.
Todays news consumers arent averse to fact-based, statistically corroborated reporting. People dislike the news media now because theres a little something out there for everyone to hate.
Gone are the days of a monolithic news media with a monopoly on the truth. New technologies for better and worse have enabled just about anyone to discover, create, share, personalize and react to news.
Todays news consumers have gravitated to news with a view because it affirms personal values. In an era of information overload and complexity, news with a view can be clarifying and familiar.
Sure, it may come with highoctane, unverified assertions, but its perceived as credible because it comes with an unapologetic view, a person, a Sean Hannity, a Rachel Maddow.
We certainly dont need more personality-driven news, more subjectivity, more emotional appeals, or more he-said, shesaid journalism. Plenty of that to go around.
Fortunately, the fact-checking process has become a kind of provocateur, agitating debate about what responsible journalism does, doesnt do, should do, shouldnt do. Bring it on!
In the short run, this aggressive, transparent, data-driven political fact-checking may only earn more haters. It may scare off timid advertisers.
In the long run, it will help rouse reporters and reporting processes from sequestered newsrooms. It will lead to more community collaboration, to the defending of old news values that are worth saving and to the invention of pertinent new ones that no one has thought of yet.
This participatory approach to news can build trust in factbased reporting.
And, rest assured, that trust will be needed when social media fact-checking kicks into high gear.
Hans Peter Ibold is an assistant professor of journalism at Indiana University. Write to him at Ernie Pyle Hall, 940 E. Seventh St., Bloomington, IN 47405-7108.








